Non-human bodies in the US government’s possession? They Confirmed The Existence Of "Aliens"! In a groundbreaking revelation that has sent shockwaves through the United States Congress, three military retirees have sworn under penalty of perjury to the existence of extraterrestrial phenomena. The testimonies of David Grusch, Ryan Graves, and David Fravor have opened a Pandora's box of astonishing claims that challenge our understanding of the cosmos. The crux of their testimonies revolves around four key assertions, each more astounding than the last. Firstly, these former military personnel assert that the United States owns aircraft of non-human origin. This suggests that there may be technology in possession of the government that defies the conventional understanding of aeronautics. Equally mind-boggling is the claim that the U.S. government has not only recovered but currently possesses biological remains of non-human entities. The implications of this revelation are profound, raising questions about the nature of these entities and the circumstances surrounding their discovery. Furthermore, the whistleblowers allege the existence of a covert program dedicated to the recovery and reverse engineering of these extraterrestrial aircraft. If substantiated, this claim suggests a clandestine and long-standing effort to understand and potentially harness advanced alien technology. The secrecy surrounding such a program raises concerns about the motivations behind keeping this information hidden from the public. Perhaps most disturbingly, the military retirees contend that individuals who have disclosed or investigated these matters have faced severe threats and consequences, including reported murders. These ominous revelations paint a picture of a shadowy world where the pursuit of truth is met with extreme measures, adding an element of danger to the disclosure of extraterrestrial knowledge. The testimonies were given in a historic hearing that has left the world on the edge of its seat. The witnesses, including David Grusch, Ryan Graves, and David Fravor, provided shocking details under oath, leaving many questions unanswered. The disclosure, however, is just the tip of the iceberg, as the trio hinted at additional information that could only be revealed in a private or confidential forum. Accompanying this seismic revelation is a photograph captured by Jonatan Vega, adding a visual component to the unfolding narrative. The mysterious and uncharted territory of extraterrestrial life has gripped the collective imagination, and the world now eagerly awaits further revelations that could reshape our understanding of the universe. As speculation and anticipation mount, a pressing question hangs in the air: Are we standing at the threshold of a new era, poised to unlock profound knowledge about extraterrestrial life? The cosmos, once thought to be beyond our reach, may be revealing its secrets in ways that challenge the very fabric of our reality. The truth, it seems, is stranger than fiction, and the journey into the extraterrestrial enigma has only just begun. Three military retirees have shaken the foundations of the Us congress by swearing under penalty of perjury that: 1. The US owns aircraft of non-human origin. 2.He has recovered and has in his possession biological remains of non-human entities. 3. He has kept a program for the recovery and reverse engineering of this aircraft hidden for decades. 4. There have been severe threats and consequences for those who have disclosed or investigated this, including murders reported to the authorities. Military retirees. In the aftermath of this unprecedented disclosure, the mystery surrounding extraterrestrial life continues to deepen for most of the mankind, capturing the imagination of people around the globe. The implications of these revelations extend far beyond the boundaries of conspiracy theories, ushering in a new era of contemplation about our place in the cosmos. Some of these informations are already declassified, public, confirmed, and real, yet people simply don't seem to care -Who gives a damn when they have their own mundane problems to deal with? In a hearing that will go down in history, witnesses David Grusch, Ryan Graves, and David Fravor, provided shocking details, and offered more information for a private/confidential forum. This is just the tip of the iceberg! The mistery deepens and the world eagerly awaits more revelations. Are we at the gates of an era of new knowledge about extraterrestrial life? DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

"The Mask of Satan" (Black Sunday) is an Italian horror film from 1960 directed by Mario Bava, with a screenplay by Ennio de Concini, Mario Serandrei, and Marcello Coscia. It features performances by Barbara Steele, John Richardson, Arturo Dominici, and Ivo Garrani. It marked Mario Bava's official directorial debut, although he had worked as a director on several films without credit. In the picture, Barbara Steele as Princess Asa Vajda (here we can clearly see the influece of Hekate). Barbara Steele is an English film actress. She is mainly famous for her leading roles in Italian Gothic horror films of the 1960s. She was discovered in the Italian horror film "The Mask of Satan," directed by Mario Bava. Loosely based on Nikolai Gogol's story "Viy," the film depicts a witch who is executed by her own brother, only to return 200 years later to seek revenge on her descendants. Synopsis: The action takes place in the Middle Ages when the Russian Inquisition captures the necromancer and her loyal servant, sentencing them to wear a spiked mask on their inner face, which causes the death of the two heretics. Centuries later, the witch Asa and her minion, also her lover, come back to life after their coffins are found by travelers who inadvertently remove the masks from the couple. Upon returning to life, the witch will march in search of her beautiful descendant to take over her body. To reach her, she will eliminate anyone who dares to stand in her way. By 1960 standards, The Mask of Satan was considered unusually gruesome, and its release was banned in the UK until 1968 due to its violence. In the United States, some of the bloodier scenes were internally censored by the distributor American International Pictures before its theatrical release in the country, where it was shown alongside Roger Corman's "The Little Shop of Horrors." Despite the censorship, "Black Sunday" received excellent reviews and became a worldwide success, launching the careers of director Mario Bava and actress Barbara Steele. Considered a classic of Gothic horror, in 2004, one of its sequences was voted number 40 among "The 100 Scariest Movie Moments" by the Bravo TV network. The mask used in the film can remind us of African spirits or even some much more familiar daemons... The storytelling is very fluid, and although the sometimes criticized script falls into many of the clichés of vampire cinema, it contains more than enough elements for the viewer to follow the film's development with great interest, thus perfectly fulfilling its most basic function. The first appearance of Katia in the temple ruins, holding onto two fierce mastiffs, while behind her we see an overcast sky; the decomposing body of Asa in the coffin, showing her disfigured face with empty eye sockets; the prologue, where we witness the brutal execution of the witch... all these are sequences of a mesmerizing beauty that remain etched in the viewer's retina. Barbara Steele's presence with her enormous eyes adds to the cult status of this essential film. The Mask of Satan is not only the best film by its legendary author but also an indisputable masterpiece of fantasy that, if you haven't seen it yet and you like classic horror, you can't miss. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

A series of gigantic and strange fossils were found in ancient Egypt and were related to the god Seth. He is the god of rebellion and conflicts, considered the embodiment of evil for the ancient Egyptians. Some of the first people to stumble upon prehistoric fossils lived in Egypt 3,300 years ago. Their story likely began with a sandstorm. A strong wind rose and blew the desert sands, exposing a hidden secret below: the hard, black bones of what appeared to be a giant monster. We can only imagine what must have crossed the minds of the men who found them. They didn't write a word about it, or if they did, it was lost long ago in the decay of time. All we know is what they left behind: a tomb full of prehistoric fossils, some of them dating back two million years, hidden until 1922 AD. It's a fascinating mystery that we're just beginning to unravel today. We don't know for certain what significance they attributed to the bones of the enormous prehistoric giants they found. However, slowly but surely, archaeologists are piecing together some clues. It has taken almost a century of research to uncover anything about the prehistoric fossils found in ancient Egypt. When the first archaeologists, Guy Brunton and Flinders Petrie, found them, they didn't even fully understand what they had discovered. All they knew, at first, was that they had found bundles wrapped in linen, with no idea of what might be inside. Egyptians, after all, did not put these bones on display. Instead, they took them to a tomb carved into the rock near a village called Qau el-Kebir. There, they gave the enormous prehistoric bones the kind of burial fit for royalty. They wrapped them in fine linen sheets and placed them in the tomb, buried with ivory tools to assist them in the afterlife. Whatever they thought they had found, they believed it was something worthy of their respect. The tombs of Qau el-Kebir were not just makeshift graves built for the occasion; they were ancient resting places of powerful Egyptian lords, built 1,500 years before the fossils were found. It was a place for revered ancient dead; a fitting place for the bones of a creature that, 2 million years ago, had terrorized the land that would become Egypt. Three tons of fossils transported over several kilometers We still don't know where the Egyptians found them. In 1926, shortly after being discovered, a geologist named K. S. Sandford combed all locations within 500 miles of Qau trying to locate them but without success. To this day, no one has been able to ascertain it for sure. We still have no idea where the Egyptians found them. In 1926, shortly after they were discovered, a geologist named K. S. Sandford inspected the area trying to locate them, but without success. To this day, no one has been able to ascertain it for certain. All we know is that they were moved. There were over three tons of them, and they had been dragged across kilometers of wild countryside, only to be buried again. It must have felt like nothing less than a sacred act. It would have taken an incredible effort to move those bones, and an entire team of people must have been involved. Their destination, Qau el-Kebir, was no ordinary village. It was the center of a cult dedicated to the god Seth, god of darkness, storms, and confusion. He was the lord of the black earth; a monstrous and evil force often depicted as a monster with a hippopotamus head. Surely, the bones were deliberately taken there. Whatever the Egyptians believed they had found, they thought it belonged to the god of chaos, and they were willing to do anything to take it away. A breakthrough in a 90-year-old mystery After more than 3,000 years buried in a tomb, Gun Brunton and Flinders Petrie unearthed the fossils, only to encase them once more. They sent their discovery to a museum, where they left them in unopened boxes. Brunton planned to write a book about them but never did. And for almost 80 years, they simply sat in those boxes; an incredible forgotten discovery. It wasn't until 2007 that anyone looked inside. In part, it was a matter of technology. No one wanted to open a 3,000-year-old bundle of linen and risk destroying an artifact of incalculable value. We had to wait until X-ray scanning machines could show us what was hidden inside. But finally, in 2014, the bones were revealed. Inside were small pieces of countless extinct animals: giant wildebeests, crocodiles, wild boars, horses, buffalo, and even humans. But the creature they most saw were the bones of enormous prehistoric hippos, the animal of the god Seth. And each fossil had been polished over millions of years by river sands until they shone with the color of the god of chaos: jet black. Seth's black bones No one knows for sure what the Egyptians thought they had found, but there are theories. It is very likely that, 3,300 years ago, the people who found those bones believed they had stumbled upon the remains of a god. Egyptians had arrived at a similar conclusion before. The early Roman and Greek historians wrote that when Egyptians found fossils of the coiled shells of nummulites near the pyramids of Giza, they took it as proof that Seth had once ruled over their land. The small fossils were taken to a temple in Tienna and there were given as an offering to the gods. They may have felt the same way about the gigantic fossils they buried in Qau el-Kebir. The bones had fossilized (they were incredibly hard), and their religion had long taught that the gods had bones made of iron. Perhaps they thought they had found something more than just an animal or a man. Perhaps, as paleontologist Kenneth Oakley has suggested, they recognized the fossilized remains of giant humans and hippos and assumed they all came from the same place: the remains of the half-human, half-beast god of chaos, Seth. An ongoing mystery That, at least, is one theory, but to this day, no one knows for sure what the prehistoric fossils in ancient Egypt meant to the people who discovered those prehistoric bones. All we have to work with are some archaeological findings, and so far, they have left us with more questions than answers. We still don't know where the bones were found. We still don't know why they were buried, or why nothing was written about such an incredible find. And we still don't know for certain what it meant to them. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

In a remarkable archaeological find, a marble statue of the goddess Artemis (Diana), the Huntress, dating back to the 2nd century AD, was unearthed in a niche within the excavations at "Casa con le Terrazze" (the House with Terraces) in the ancient city of Ephesus, now located near Selcuk, Turkey. April 2024. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Man is light and darkness, clarity and shadow, heaven and hell; he is the entity in whose deepest interior a fierce and dark struggle between good and evil takes place. Gabriel John Utterson, a London notary and lawyer, finds himself morally obliged to investigate the strange relationship that has suddenly emerged between his old friend, the distinguished Dr. Henry Jekyll, and a despicable-looking individual about whom no one has any references, named Edward Hyde. This is the origin of the plot of "The Strange Case of Dr. Jekyll and Mr. Hyde," which aims to explore the duality of man through his dichotomy between good and evil. Jekyll was convinced that the human conscience was composed of these two aspects, which confront each other in a continuous struggle. In his deep belief that it was possible to isolate and separate these two components of being, he created a potion and its corresponding antidote, capable of transforming a man into the monstrous embodiment of his evil self, where his wicked nature became dominant, completely diverging from the good side of his existence. "The Strange Case of Dr. Jekyll and Mr. Hyde" is a novella written by the Scottish author Robert Louis Stevenson and first published in 1886. It tells the story of Dr. Henry Jekyll, a respected and successful London physician, who develops a potion that allows him to separate the darker aspects of his personality from his virtuous self. This transformation results in the creation of Mr. Edward Hyde, a malevolent and amoral alter ego. As Mr. Hyde, Jekyll indulges in his basest desires and commits acts of violence and cruelty without remorse. However, as the story progresses, Jekyll finds it increasingly difficult to control the transformations and the influence of Hyde over his life. Ultimately, the struggle between good and evil within himself leads to tragic consequences. The novella explores themes of duality, the nature of humanity, and the consequences of unchecked ambition. It has been adapted into numerous stage plays, films, and other literary works, and remains a classic of Gothic literature. The characters of Dr. Jekyll and Mr. Hyde have become iconic symbols representing the conflict between good and evil in human nature. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

From the series of lesser-known works by Akira Toriyama, Saving Soldier Cashman stands out as a unique gem. Originally serialized in V-Jump in 1990, this manga later received an adaptation into an OVA (Original Video Animation) by Toei Animation in 1997. The narrative of Saving Soldier Cashman follows the adventures of its titular protagonist, Cashman, an extraterrestrial being on a mission to collect gold and refuel his spacecraft in order to return home. The storyline is a blend of sci-fi, action, and adventure, with Cashman navigating various challenges and encounters as he strives to accomplish his goal. One intriguing aspect of Saving Soldier Cashman is its protagonist's design, which exhibits clear influences from Toriyama's previous creations. While Cashman's overall appearance bears resemblance to Freeza's final form, his facial features notably evoke similarities to Perfect Cell, another iconic character from Toriyama's Dragon Ball series. Remarkably, Saving Soldier Cashman predates the introduction of Perfect Cell by two years, adding an intriguing layer of historical significance to Toriyama's character design evolution. Despite its relatively obscure status compared to Toriyama's more widely recognized works, Saving Soldier Cashman offers a captivating glimpse into the imaginative world of its creator. With its blend of inventive storytelling, vibrant artwork, and nods to Toriyama's iconic character designs, this lesser-known manga holds a special place in the pantheon of his creations, deserving of exploration and appreciation by fans and newcomers alike. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Misionero Comido Por Tigre (Missionary Eaten By A Tiger) (1967), Noé León (1907 - 1978) DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

The Passion Of Christ by Mel Gibson. The famous movie The Passion of Christ features a scene where a mysterious character appears carrying a baby while Jesus is physically punished. The scene is somewhat eerie, although the mysterious character does not say a word. Likewise, the appearance of the baby leaves much to ponder. But the scene has a meaning that few managed to understand: It turns out that Jesus is being scourged and Satan appears with "a baby" to show Jesus that even "The Devil" cares for His child, while his holy father allows him to be cruelly humiliated and tortured to death. The one carrying the elderly child is Satan/Lucifer and has an androgynous appearance, as "angels have no gender". It is undoubtedly a scene with a very strong meaning. A rather peculiar movie that is worth analyzing... DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

It's fascinating to uncover the hidden inspirations behind iconic characters like Batman. Wayne Bruce's story adds depth to the legend of the Caped Crusader, drawing from real-life lineage and historical context. Imagining a Scottish ancestor of Batman fighting crime in the streets of 1880s Glasgow paints a vivid picture of the origins of this beloved superhero. Wayne's dual identity, reminiscent of Bruce Wayne's alter ego, adds an intriguing layer to the narrative. The idea of someone using their heritage and a disguise to battle criminals predates the comic book era, showcasing the timeless appeal of the hero archetype. Moreover, the choice to represent Gotham City with Glasgow in Batman movies pays homage to this overlooked piece of history. It not only adds authenticity to the cinematic portrayal but also connects the fictional world of Batman to real-world roots, bridging the gap between fantasy and reality for fans. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

The term "Apocalypse" or "Apocalipse" originates from the Greek word "apokalupsis," which means "revelation" or "unveiling." In its essence, it signifies the disclosure of hidden or unknown truths, often associated with divine or cosmic insights. The concept transcends mere cataclysmic events or the end of the world; rather, it encompasses a profound unveiling of knowledge, understanding, and enlightenment. Apocalipse means "Truth Revealed"; a spiritual or cosmic group of transcendent truths will surface during these times. Throughout history, the notion of apocalypse has been intertwined with various religious, philosophical, and cultural beliefs. In religious contexts, it often denotes the final revelation of God's will or divine judgment, as depicted in texts such as the Book of Revelation in the Christian Bible or the End Times in Islamic eschatology. These narratives depict a cosmic battle between good and evil, leading to a new era or the ultimate fulfillment of spiritual prophecies. Beyond religious connotations, the concept of apocalypse has permeated literature, art, and popular culture, serving as a metaphor for profound personal or societal transformations. It symbolizes moments of profound upheaval, crisis, or revelation that challenge existing norms, beliefs, and structures. In literature and film, apocalyptic themes explore existential questions, human resilience, and the search for meaning in a chaotic world. Moreover, the idea of apocalypse extends beyond its traditional religious or literary interpretations. In contemporary discourse, it encompasses global challenges such as climate change, pandemics, and social unrest, reflecting humanity's collective fears and aspirations for the future. In this context, the concept of apocalypse serves as a lens through which to examine pressing issues and envision potential paths forward. Ultimately, whether viewed as a divine revelation, a literary motif, or a metaphor for contemporary crises, the notion of apocalypse invites introspection, exploration, and interpretation. It challenges us to confront uncertainty, embrace change, and seek deeper truths about ourselves and the world we inhabit. What Is An Apocalypse? Biblical scholars generally describe an “apocalypse” as a type of ancient literature in which otherworldly beings reveal knowledge about the supernatural world to humans. "Truth revealed" encapsulates the essence of the term "apocalypse" -the unveiling or disclosure of hidden truths, often with profound implications for individuals and society. This concept transcends religious or cultural boundaries and speaks to a universal human desire for understanding and enlightenment. In personal and spiritual journeys, moments of truth revealed can be transformative, leading to greater self-awareness, growth, and a deeper connection to the world. It may involve confronting uncomfortable truths, questioning long-held beliefs, or experiencing moments of clarity and insight that reshape one's perspective on life. In societal contexts, truth revealed can have far-reaching consequences, challenging established power structures, social norms, and cultural paradigms. It may expose corruption, injustice, or systemic inequalities, sparking movements for change and calls for accountability. Moreover, truth revealed is often intertwined with the pursuit of knowledge, truth, and wisdom. It reflects humanity's ongoing quest for understanding the mysteries of existence, the nature of reality, and our place in the cosmos. Overall, the concept of truth revealed invites reflection, exploration, and dialogue, encouraging individuals and communities to seek deeper insights, embrace complexity, and engage in the ongoing search for meaning and understanding. Welcome To The Apocalypse: The Announcements 2022: Emissary Zarael proclaims and announces that “The Apocalypse*” officially begins in the year of numbers equalling “6”. ( Apocalipse means "Truth Revealed", and implies “Unveiling” and "Reveal Hidden Knowledge; Revelations" but/and is deep related with the violent war.) During February 2022 our Hierophant Master Falcifer channeled some of the major seals of Devilism. (*including The Devil´ Star, see below).  By the end of 2022 the Third Emissary Of The Name or Emissary Zarael proclaims and officially announces that Falcifer (who by this time was clear that He was One of The 7 Full High Kings Of Hell Incarnated -Asmodeus in this case), is The Vindex, The Antichrist. One of the videos created for The Announcement. A few days later, Noctula V, High Priestess of Satania, the coven, predicted her own death’s date; and before it happens, the team wants to take the next step. Following a decade of the Working, our Doctrine will be released. After thousands of happy clients, Transformed Vampires, spirit companion bindings, incredible banishings of attachements, parasites and negative Sludge Entities, and magnificient rites performed with the Dark Lords, it is time to release new secrets, to open new gates. Devilism, The Forbidden Gate of Knowledge, Only For The Chosen Few. Welcome To The Apocalipse Before the end of the year 2022 our Spiritual Current is released to the public: The Devilism (Diabolism, Diablism Or “Falciferism”). These are just names for what cannot be named, some in honor of our Hierophant. However, the names reflect the current daemonic representative and the age we are living in. It is also a way to label our personal Daemonic Path, that sometimes differs -oh, believe us, it does!- from the paths that other demonolaters and dark sorcerers walk. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Lucy Westenra Sadie Frost plays Lucy Westenra in Bram Stoker's Dracula (1992). Lucy Westenra is a fictional character from Bram Stoker's novel Dracula. She is the 19-year-old daughter of a wealthy family. Her father's name is not mentioned in the novel, and her elderly mother is only known as Mrs. Westenra. Lucy is the best friend of Mina Murray. In the 1931 cinematic production by Universal Studios, she is called Lucy Weston. In the 1958 version by Hammer Film Productions, she is named Lucy Holmwood and engaged to Lord Holmwood. In Francis Ford Coppola's Dracula (1992), Lucy is portrayed by Sadie Frost. This version of Lucy is much more sexualized than her literary incarnation, making her more seductive, flirtatious, and even tempting, with many references to sex. As a pampered aristocrat's daughter, she speaks with innocence and frankness. (Unlike her friend Mina, who remains steadfast, Lucy's sexual tendencies lead to her downfall). She falls into Dracula's clutches due to a sleepwalking crisis, and Dracula abuses her in the garden. From that moment on, she gradually transforms into a vampire and ends up being killed by Van Helsing and her beloved fiancé in an attempt to save her from the damnation of her spirit. The character had significant scenes exploring her constant flirtation with her three suitors, other scenes regarding Dracula's attacks, and her illness that were cut in the theatrical version of the film but were shown in home video releases. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

On April 9, 1821, in Paris, Charles Pierre Baudelaire was born. To speak of him is to speak of the "Poètes Maudits"; that generation of French artists who carried out one of the greatest literary revolutions known to date. They were pointed at, censored. They were seen as demonic, failed, dark, repulsive, mysterious, strange. Their poetics, endowed with a gothic and apocalyptic air, went against the prevailing romanticism of the time. Their extreme and irrational style gave them a bad reputation, which only the passing of the years could purify. Verlaine, used the term for the first time in his book "The Damned Poets," which included, among others, Baudelaire. Not only was his poetry criticized, but the lifestyle these artists led kept them away from a puritanical and classist society. They experienced firsthand disease, social rejection, and abandonment. They all shunned the public and official scene of French society. Baudelaire is credited with creating the concept of "modernity" as synonymous with the fervent social decay associated with the metropolitan and urban environments of his time. Baudelaire, besides being a poet, was a dissenter from the death of his father when he was just 7 years old. Shortly after, his mother remarried a military man. Charles' life changed from a loving upbringing to one of strict order. Young Baudelaire never accepted his stepfather, and family conflicts were constant throughout his childhood and adolescence. He studied in the city of Lyon until he returned with his family to Paris. He continued his studies, but not for long, as he was expelled for misconduct. Finally, he completed his studies at an unprestigious school. Later, he managed to enter the University of Paris to study Law, where he met all kinds of characters and immersed himself in the bohemian life, rubbing shoulders with literary greats like Gérard de Nerval and Honoré de Balzac. It was during this time that he also met Sarah, a prostitute who inspired several of his poems and infected him with syphilis, a disease that would end his life years later. His stepfather, completely dissatisfied with the liberal and libertine life led by young Baudelaire, against his will, sent him on a long journey with the intention of distancing him from such bad and corrosive habits. Baudelaire embarked on June 9, 1841, bound for India, but on the island of Mauritius, he escaped from the ship and somehow made his way back to France, without his stepfather knowing. He settled back in the capital and returned to his old free habits. He continued to attend literary and artistic circles and scandalized all of Paris with his affair with Jeanne Duval, a woman of African descent. Upon reaching the age of majority, the first thing he did was to claim his paternal inheritance, but his disorderly life ensured that he squandered almost all the inherited money. His parents were baffled by this situation and opted to seek a judicial tutor to control the few remaining assets. So, in 1844, he began receiving a small monthly income, a situation that provoked the fury of the young man and increased family conflicts. Shortly after, he began to consume hashish and wrote texts related to art criticism. By the age of almost thirty, he was already living in miserable places. "Angel full of joy, do you know what anguish is, guilt, shame, boredom, sobs, and the vague terrors of those horrible nights that press upon the heart like crushed paper? Angel full of joy, do you know what anguish is?" Shortly after, sick from syphilis and in the midst of a deep depression, he attempted suicide but was unsuccessful. Later, recovered from his crisis, he began to collaborate in magazines writing articles and poems. He also developed as a music critic, his best comments and analyses were made in reference to Wagner's work, which he considered the synthesis of a new art. "Time eats away at life, and the dark enemy that gnaws at our hearts grows and strengthens with the blood we lose." -Charles Baudelaire He translated the works of authors E.T.A. Hoffmann and Edgar Allan Poe, admiring their avant-garde synthesis; the same that inspired him and he wanted to imitate in La Fanfarlo (1847), his only novel. His personality sparked controversies everywhere, and these increased when he participated in the 1848 revolution and published "Les Fleurs du Mal" (1857). This constituted his main work and marked a milestone in French poetry. Due to a very controversial publication, justice ordered the seizure of the work and Baudelaire's trial, where he had to appear on charges of offenses against public morality and good customs. The symptoms of syphilis returned, he suffered partial paralysis, and also experienced episodes of muteness, the disease gradually advanced mercilessly, later suffering an attack in the church of Saint Loup de Namur. He was in a clinic in Paris accompanied by his mother, remaining speechless but with a good appearance until his death on August 31, 1867. Baudelaire, through his poetry, showed us a sinister beauty, an anguished feeling. He spat out tragic verses, with heartbreaking nuances. He observed in detail the vices and pleasures of the body, the intoxication of the senses before beauty in contrast to the image of the cataclysm of a shaken world. He focused his attention on describing incurable evil. In the apology of the infernal. In the treatment of man as a miserable, perverse being, owner of his own body as an instrument to achieve his misery. Roberto Calasso said: "Only Baudelaire had access to a region of the purest pathos, immune to any sentimentality" and indeed he did. Thus, the concept of the damned was born, known as the search for self-destruction and the immolation of the artist. Poetry ceased to be descriptive art entrusted with embellishing everyday reality; Baudelaire promoted it from another perspective, giving free rein to emotion in its most primal state, as the only option towards a change in a blind and hypocritical humanity. "Misfortune has a certain elasticity that is usually called human freedom." Sartre was right: Baudelaire was an "open wound," as is very clear from the abject and pleading letters he wrote to his mother. All that darkness and perversity that he so beautifully portrayed form the permanent substrate of our psychic life. His word reflects us, seduces us, questions us, and moves us. "My heart is lost; the beasts have devoured it." Baudelaire saw and lived the darkness of a marginalized existence and from there he speaks to us, guides us, pierces us with the dirt of the world. 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Anecdotes: The damned cover; behind the cover of "Born Again". Steve Joule, who had contributed to some solo works by Ozzy Osbourne, created the cover of Born Again. When asked to design it, Joule feared that his relationship with Osbourne would become complicated by working with his former bandmates, so he sent them several poorly made sketches for the band to reject. However, his work was liked, and he was offered a contract which he eventually accepted. To create the cover, the artist, who at that time consumed quite a lot of drugs and alcohol, was inspired by the first page of an issue of the 1968 magazine Mind Alive. The cover of the magazine featured a newborn baby crying, which Joule modified: he used psychedelic colors and added fangs, claws, and yellow horns to the child. Gillan said that the cover seemed horrible to him, so much so that after receiving a box with twenty copies and seeing the cover, he vomited and threw the box out of the window. Iommi and Butler, however, were satisfied. After the album's release, it was found that the cover was similar to that of the single "New Life" by Depeche Mode, released two years earlier; but there were no issues between the two bands. The album cover is often included among the worst in history. Classic Rock magazine wrote: "The album is not as bad as they paint it, despite a horrible cover made in five minutes after a drunken meal." DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Today, in mind-blowing movies: Perfect Blue (1997). Of all the anime films we watched in our pre-adolescence, whether rented from the video store, bought on VHS, or downloaded from the internet, undoubtedly the one that impacted a generation the most was Perfect Blue. The masterpiece of Satoshi Kon, director of other great animated works such as Millennium Actress (2001), Tokyo Godfathers (2003), and Paprika, the dream detective (2006). Mima is the lead singer of a famous Japanese musical group. Due to the failure of her albums' sales, her manager decides to remove her from the group and give her a role in a television series. Mima then falls into a deep depression that leads her to reconsider her life and career, but her crisis worsens when she discovers that her life is accessible to anyone on the internet and that someone is watching her. As the series begins to air on television, Mima realizes that fiction is being replayed in her real life: dreams and reality become blurred to the point of questioning her own identity. A twisted psychological thriller that, at times, becomes terrifying and disturbing, and that influenced almost to the point of plagiarism, openly, the very Darren Aronofsky for his most successful film: Black Swan (2010). DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Under construction - soon more info! Rezzlek: Lord Warrior, High Ranked Leader Of King Aeshma (Asmodeus/Asmoday) Squadrons of Death. God of war/s Related with: -Smart Violence -Strategic Chaos -Death -Purification by Destruction -Passionate Inner Fire -Infernal Motivation -Raw/Hardcore/Violent Sex -Mainly Daemonic Masculine Energy (Fire/Hellfire Daemon with Necromatick attributes) Rezzlek Channelings: Rezzlek Seal + Enns: Rezzlek Daemonic Enn (108 Repetitions): Rezzlek Daemonic Enn (1 Hour): Rezzlek Daemonic Enn (Feminine Version)(108 Repetitions) Rezzlek Daemonic Enn (Feminine Version)(1 Hour): DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Abhisikta: Abhisikta is a sanskrit term that means "initiated" or "consecrated." It refers to the act of initiating someone into a particular practice, tradition, or spiritual path. In the context of the Devilist practice and understanding, it indicates that all people in the world have initiated their consciousness of the self by entering into or becoming part of these three bodily states. It is the first and most basic (still divine) iniciation, into the mundane plane as conscious incarnation. "When the consciousness of the self (pramatri bhava) is established in the body, the experiencer perceives: "I am this dense body in the waking state, I am this subtle body in the dream state, and I am this even subtler body in the deep sleep state." All people in the world have initiated (abhisikta) their consciousness of the self by inserting their selfhood into these three bodies. When the consciousness of the self is established in these three bodies, they are called the three veils, the three coverings. You must surpass or exceed the consciousness of the self in these three bodily states, dense, subtle, and even subtler, because when the consciousness of the self is established in these bodies, then you perceive that you are these bodies. The consciousness of the self in these three bodies is called "sarira". For such a yogi, these three bodies, including the consciousness of the self, become offerings (havih) in the fire of God-consciousness or in other words, you in Akasha." -Master Falcifer

There will always be discomfort, there will always be unease if you believe you are your body. Whether you are awake or asleep. Because if you believe you are your body and your identity ends where your skin ends, then your consciousness will always be contracted, densified. Misaligned with the truth. You will always be just another object within creation, playing the game of loss and gain with other objects. You will always be subject to the rules of biology, which are nothing more than the dense residues of the ocean of infinite consciousness. However, when through your practice, you manage to identify yourself not only with your physical body but with that which is common in all creation, within and beyond the body, then you will transcend scarcity, space, time, and suffering. When the consciousness of the self (pramatri bhava) is established in the body, the experiencer perceives: "I am this dense body in the waking state, I am this subtle body in the dream state, and I am this even subtler body in the deep sleep state." All people in the world have initiated (abhisikta) their consciousness of the self by inserting their selfhood into these three bodies. When the consciousness of the self is established in these three bodies, they are called the three veils, the three coverings. You must surpass or exceed the consciousness of the self in these three bodily states, dense, subtle, and even subtler, because when the consciousness of the self is established in these bodies, then you perceive that you are these bodies. The consciousness of the self in these three bodies is called "sarira". For such a yogi, these three bodies, including the consciousness of the self, become offerings (havih) in the fire of God-consciousness or in other words, you in Akasha. This is the great awakening of the Shiva Sutras.

The 2030 Agenda for Sustainable Development, adopted by all United Nations Member States in 2015, is often hailed as a landmark achievement aimed at addressing global challenges and fostering sustainable development. However, beneath its seemingly noble objectives lie complexities, controversies, and potential pitfalls that warrant closer scrutiny. This article endeavors to provide a comprehensive analysis of the 2030 Agenda, exploring its goals, implementation challenges, and broader implications for society and the world. 2030 Agenda: You won´t have anything and you´ll be happy. Understanding the 2030 Agenda: At its core, the 2030 Agenda consists of 17 Sustainable Development Goals (SDGs) and 169 associated targets, covering a wide range of economic, social, and environmental issues. These goals encompass poverty eradication, hunger alleviation, gender equality, climate action, and more, reflecting a holistic approach to development. While the aspirational nature of these goals is commendable, achieving them poses formidable challenges, particularly in the face of geopolitical tensions, resource constraints, and structural inequalities. Critiques of the 2030 Agenda: Despite its ambitious aims, the 2030 Agenda has been subject to criticism and skepticism from various quarters. One notable critique revolves around its perceived lack of enforceability and accountability mechanisms. Critics argue that the voluntary nature of the agenda and its reliance on national governments for implementation render it susceptible to political expediency and insufficient action. Moreover, concerns have been raised about the potential for greenwashing and tokenistic gestures, whereby governments and corporations superficially align with SDGs while neglecting substantive change. Another area of contention pertains to the agenda's emphasis on economic growth as a primary driver of development. Critics argue that the pursuit of endless economic expansion is unsustainable and exacerbates ecological degradation, social inequalities, and cultural homogenization. Furthermore, the prioritization of market-based solutions and public-private partnerships within the agenda has been criticized for perpetuating neoliberal ideologies and sidelining alternative, community-driven approaches to development. The 2030 Agenda has also faced scrutiny regarding its framing of development issues and power dynamics. Critics argue that the agenda's focus on technocratic solutions and top-down governance structures neglects the voices and agency of marginalized communities, indigenous peoples, and grassroots movements. Moreover, the agenda's promotion of Western-centric development models and consumption patterns has been accused of perpetuating colonial legacies and eroding cultural diversity. Implications and Challenges: As the world grapples with the urgency of addressing pressing global challenges, the implementation of the 2030 Agenda presents both opportunities and obstacles. One of the key challenges lies in bridging the gap between rhetoric and action, ensuring that commitments translate into tangible outcomes on the ground. This requires robust monitoring, evaluation, and accountability mechanisms, as well as meaningful participation from civil society organizations and affected communities. Furthermore, achieving the SDGs necessitates a transformative shift in societal values, policies, and systems. This entails challenging entrenched power structures, fostering inclusive governance processes, and promoting equitable distribution of resources and opportunities. It also requires reimagining development pathways that prioritize human well-being and environmental sustainability over narrow notions of economic growth. In conclusion, the 2030 Agenda for Sustainable Development represents a laudable effort to "address" complex global challenges and advance the cause of sustainable development. However, its real purposes and effectiveness hinges on overcoming numerous questions and obstacles, including political inertia, vested interests, and systemic injustices. As we navigate the path towards 2030 and beyond, it is imperative to critically examine the agenda's goals, strategies, and implications, striving for a more just, equitable, and sustainable world for present and future generations. There are complex hidden interests behind the "solutions" exposed in this Agenda. There is a secret plan inside the public plan. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Poland, a country deeply rooted in Catholic traditions, has gained attention for its significant number of exorcists. With 130 exorcists reported in the nation, Poland stands out as a place where the battle against evil forces is taken seriously. However, controversies have emerged regarding the alleged fear-mongering tactics employed by certain dioceses. This article delves into Poland’s unique spiritual landscape, exploring the presence of exorcists and shedding light on the controversies surrounding the fear of Satan. The Diocese of Warszawa-Praga’s Approach: The Diocese of Warszawa-Praga has garnered attention for its alleged fear-based tactics related to exorcism. It distributed a 60-point questionnaire titled “Are you possessed?” designed to identify potential signs of daemonic influence. The questionnaire included questions about practicing yoga or martial arts, speaking the names of other gods, and even celebrating Halloween. Answering “yes” to any of these questions would label individuals as being in peril and possibly requiring exorcism or professional help. Controversial Identifications and Judgments: The questionnaire distributed by the Diocese of Warszawa-Praga has drawn criticism for its broad categorizations of certain cultural elements as “evil.” Notably, it brands popular films like Star Wars and Indiana Jones, and the Temple of Doom as “evil films” that allegedly make viewers susceptible to the devil. Additionally, the music of artists such as John Lennon, Michael Jackson, and Bob Marley is mentioned as potentially making individuals vulnerable to Satan’s influence. Reactions and Criticisms: The fear-inducing nature of the questionnaire has elicited a range of reactions and criticisms. Many individuals, including Facebook users and other priests, ridiculed the approach, expressing disbelief at the perceived extremism and linking it to an unnecessary culture of fear. However, it’s important to note that the response of the Diocese of Warszawa-Praga or the Warszawa Archdiocese to these criticisms remains unknown, as they did not provide a comment when requested. Contextualizing the Controversies: While the controversies surrounding fear of Satan and the Diocese of Warszawa-Praga’s questionnaire have garnered attention, it is crucial to view them within a broader context. Poland’s deeply rooted Catholic identity, historical influences, and cultural beliefs contribute to an environment where exorcism is taken seriously. However, it’s essential to distinguish between the practices and beliefs of specific dioceses and the broader perspectives held within Polish society. Promoting Dialogue and Understanding: Amidst the controversies, it is crucial to encourage open dialogue and understanding regarding spiritual practices, beliefs, and interpretations. Examining the nuances of religious practices and their impact on individuals’ lives can help foster a more informed and empathetic discussion. Conclusion: Poland’s significant presence of 130 exorcists reflects the country’s deep Catholic identity and cultural beliefs. However, controversies surrounding the fear of Satan and the Diocese of Warszawa-Praga’s questionnaire highlight the need for thoughtful discussion and understanding. By promoting dialogue and respecting diverse perspectives, Poland can navigate the complexities of spiritual practices while preserving the core values of faith, compassion, and unity. DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !

Beetlejuice (1988) Some curiosities you might not have known about the movie: Beetlejuice's "true" name is the same as that of the star Betelgeuse (as can be seen several times in the movie whenever the character's name appears written), but for reasons of pronunciation and phonetics in the English language, he is often called Beetlejuice; indeed, it could be argued that the most appropriate pronunciation of "Betelgeuse" is very close to what a Spanish speaker would intuitively give it. Alec Baldwin said he was disappointed with the outcome of the movie. The snake that appears in the desert and eventually swallows Beetlejuice reappears in "The Nightmare Before Christmas." Regarding Keaton, Burton said: "Many people questioned the choice of Michael Keaton as Beetlejuice, but it was all in his eyes: they were wild; he got into the character and ran with it. It was the first time I witnessed a character growing inside an actor. Every time I met with Michael, he gave me new ideas about where we should go." Tim Burton said of the movie: "It's the only one of all my movies that gave me that feeling of 'screw everyone else!' The audience didn't need a certain type of thing; I could do whatever I wanted and that was great." Initially, it was not going to be explained what happened to Beetlejuice after he was swallowed by the worm, but the audience liked the character so much in the previews that two scenes were filmed where he appeared in the waiting room. The one that appears in the movie, where Beetlejuice's head is shrunk, and another, which was never seen, where the town barber appeared and started telling stories to Beetlejuice; the stress of thinking he would have to endure him forever made his head fall to the floor. It was rumored that Winona Ryder didn't want to do the movie because she thought it was too satanic. But it turned out to be false. The receptionist in the dead office has a sash that says "Miss Argentina." (It is said that suicides become civil servants in the underworld.) In one part of the movie, where Beetlejuice intervenes in the exorcism (just as he comes out of the model), a small head of Jack, the protagonist of Burton's 1993 stop-motion animated film "The Nightmare Before Christmas," appears. In several scenes of the movie where the deceased couple is talking to Juno, several people enjoying or being terrified by the movie can be seen in the background. In the picture Barbara (Geena Davis) and Adam (Alec Baldwin). DROP YOUR THOUGHTS ABOUT THIS ARTICLE BELOW ! WE WANT TO HEAR YOUR INTERPRETATIONS, EXPERIENCES & REFLECTIONS !